October 18, 2024

Autumn Confluence—“Flowing Together”


Summer is a memory, the leaves have turned, and winter looms on the horizon. There’s a crispness in the air as footballs fly and an autumnal accumulation of events comes tumbling into our consciousness.


(L)  "Vessel # 64—Once" Wood, 69" x 18" 55" (h).      
(R)  "Vessel #43—Boundaries". Wood, 42" x 42" x 12" (d) (Wall Piece)

• Installed at the Pepperwood Preserve, Santa Rosa, California



(L)  "Vessel # 92—Locus". Wood & Flax, 40" x 28" 6" (d) (Wall Piece).   
(R)  "Vessel #19—Refuge"
 Wood, 40" x 20" x 96" (h)

• Installed at the Pepperwood Preserve, Santa Rosa, California





To see more of Jeff Key's artwork:

Jeff Key—Website:  http://www.jeffmkey.com

Sculpturesite Gallery: https://sculpturesite.com/artist/356-jeff-key
Instagram:  https://www.instagram.com/jeffmkey/





 

August 30, 2024

Wabi-Sabi—Spirit Lines—Embracing Imperfection

 


As we approach another contentious presidential election while wars rage, terrorism is on the rise and we bear witness to another summer of sweltering heat and wildfires—it might be time to consider how to contend with all this turmoil. 

What is needed is a way to relieve stress, understand that there are conditions out of our control, and come to the realization that nothing in life is ever perfect.


                                                        Wabi-Sabi 侘寂


Our imperfect union, like fabric, can be torn by grievous circumstances like autocratic leaders, voter suppression, the inequity of the electoral collage, or an “ethically-challenged” supreme court.

As we look inward and weigh the best way to move forward, we can either become consumed by anxiety and fear or we can take a positive form of action—voting, giving money to worthy candidates and causes, trying to alleviate climate change, or protesting injustice. 

As Michelle Obama said at the Democratic Convention, 
“I’m telling y’all—to do something.”

Vessel #70—Nesting II,  Wood & Flax,  52" x 46" x 7"

If we think of the crises affecting the world today as manifestations of an imperfect journey, we should also consider the words of Leonardo da Vinci, as he contemplated his own existential conundrum—

“A painting is never finished, only abandoned.”


Jeff Key's work can be seen at:

To see more of Jeff Key's artwork:

Jeff Key—Website:  http://www.jeffmkey.com

Sculpturesite Gallery: https://sculpturesite.com/artist/356-jeff-key
Instagram:  https://www.instagram.com/jeffmkey/

June 07, 2024

I Sing the Body Electric—Summer Soul


 Soul:  An immaterial force or spirit within a human being thought to give the body life, energy and power. Often thought to live on after death. 

Bioelectricity: The electricity that transmits encoded signals throughout a human body’s 36-trillion cells.


As electrically charged beings whose soul is being tested, how do we process this pulsating current that is driving our emotions?  As Ray Charles said in a 1966 interview for Life Magazine, “What is a soul? It's like electricity—we don't really know what it is, but it's a force that can light a room.”

Walt Whitman explored the interconnectedness of body and soul while Ray Bradbury questioned whether a machine could possess a soul. 

Both writers were harbingers for the collective trauma found in our post-pandemic world. We have been psychologically impacted by loss of life due to disease and war and by a paradigm shift in our work places, school systems and the culture at large.

"Endangered #12—Torque"     Wood & Fiberglass,  36" x 12" x 8"

Whitman and Bradbury would be fascinated to learn how the “Body Electric” has become a key therapeutic element in the emerging field of Bioelectricity. We are wired with electrical impulses that travel via voltage spikes in nerve and muscle cells to control our bodily and brain functions.This bioelectric energy not only drives who we are but is also a contributing factor in defining our soul.

The manipulation of the electricity generated by a living organism is now being tested in the medical field as a potential tool to control the spread of cancer cells, speed up the healing of wounds, regrow limbs and organs, and mitigate agitation in the brain caused by anxiety or disease.

"Endangered #12—Torque"     Wood & Fiberglass,  36" x 12" x 8"

As summer heats up we can become consumed by sensory overload. It might be time to draw from our internal electrical power bank, harness our soul, and focus on some positive signs:


"Vessel #75—Quarter/Half"      Wood,  24" x 48" x120" (h)

To see more of Jeff Key's artwork:

Jeff Key—Website:

Sculpturesite Gallery: 






 





March 29, 2024

The Ants Return—Working Class Heroes or Social Parasites

 


Watching a battalion of ants march through a crack in my bathroom molding I was in awe of their determination and sense of purpose.

What was their plan for today?—Steal my toothpaste and feed the troops, grab a drink, or burrow into a warm, dry nest.

The ants seem to be communicating with each other as their plan unfolded—their collective efforts, a lesson in perseverance. Some ant species have been observed utilizing organizational skills, division of labor, and sophisticated agriculture while harvesting food.


But like humans—ants also exploit the rules. Some ant species are known as social parasites who engage in warfare, take over other colonies, kidnap their neighbor’s pupae and turn them into slaves along with captured workers.

Some humans have also been known to practice social parasitism as they seek elective office, seats on judicial benches and engage in corporate kleptocracy. They have been known to use their status as an opportunity to harvest material benefits and power for themselves, their families and their friends.

This might include former US Presidents who profit from global business networks, current Supreme Court justices who take gifts from wealthy benefactors, and despots throughout the world who subjugate people for territory and profit.

"Vessel #58"—Vestige"  Wood, Flax, Bone, Wasp Nest.   48" x 22" x 6"
(Collection of the Di Rosa Center for Contemporary Art)


Before you begin to exterminate our “resourceful guests” consider that in some cultures the presence of ants is an omen for spiritual meaning.

In Native American culture ants are seen as symbols of diligence and patience, in African folklore ants are associated with wisdom and ingenuity, and in Chinese culture they bring good luck and wealth.

"Vessel #97—Hitch"   Wood,  22" x 25" x 50" (h)
(from the series, "100 Vessels—Theories of Evolution")


So……Happy spring…..
It’s time to smell the flowers, have a picnic and take note of our
“ant friends” who are just doing their best, like all of us,
to survive and thrive.


Jeff Key—Website:

To see more of Jeff Key's artwork:

Sculpturesite Gallery: https://sculpturesite.com/artist/356-jeff-key
Instagram:  https://www.instagram.com/jeffmkey/









January 05, 2024

A Canary In A Coal Mine—A Peacock In Oakland


 As I walked out the door on this brisk, January morning I thrust my finger into the air to sample the prevailing breeze.


Which way will the wind be blowing as we
embark on this new year—2024?


Will the current slant leeward toward the proverbial canary in a coal mine— or will it shift windward to ruffle the plumage of the enigmatic peacock strutting his stuff on my front lawn.



When Kevin, our adopted pet peacock, arrived in July 2023 and took up residence on our street we thought it was a sign from the Buddha Dharma that maybe understanding, benevolence, and compassion had finally landed in Oakland, California.

Now seven months later—Kevin, our old trusted friend, has come to symbolize even more as he has opened our eyes to what is right in the world—a sense of wonder, dreams of new possibilities, and a catalyst for bringing our community together.

When our neighbors gather at sundown to watch Kevin scamper up his tree and settle into his nest for the night we always toast him and deliver a nest-time benediction, “thank you Kevin for showing us how the simple pleasure of interacting with one nature’s most magnificent creatures can endow us with a much needed moment of joy.”

"Kevin" with  "Vessel #96—Generations"   Wood. 45" x 10" x 14" (h)


"Vessel #77—Bygone"    Wood, 12" x 7" x 9" (h)

As we say farewell to 2023, the Persian (Avestian) Year of the Peacock
and move into 2024 I am drawn to the words that 
Emily Dickinson wrote in 1891 about our avian soothsayers— 

“Hope” is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops - at all.”


.....................................................................................

If a peacock in Oakland can bring neighbors together
to foster a community of good will and optimism,
then there is indeed hope….. Happy New Year.


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Jeff Key—New Revised Website:

To see more of Jeff Key's artwork:

Sculpturesite Gallery: https://sculpturesite.com/artist/356-jeff-key
Instagram:  https://www.instagram.com/jeffmkey/




November 18, 2023

Parramatta—The Place Where the Eels Lie Down—A Thanksgiving Conundrum

 


 

Written and sung by Woody Guthrie, some have called "This Land Is Your Land" an alternative national anthem. Others say it's a Marxist response to Irving Berlin’s, "God Bless America," and some Native Americans consider it “tone deaf” in reference to their “stolen land.”


Last month we observed Indigenous Peoples Day, in November we commemorate American Indian Heritage Month, and next week we will celebrate Thanksgiving.

 

Native Americans will observe the 4th Thursday of November as a National Day of Mourning. Gatherings will take place to remember fallen ancestors, and to tell the Native American version of Thanksgiving that includes accounts of genocide, the spread of disease and the theft of their land.

 

As we celebrate our freedom and bounty it is an appropriate time to remember indigenous people not only in America but throughout the world who are still struggling to hold onto their land, their rights and their dignity.



The Aboriginal Dharug tribes who lived in Western Sydney, Australia called the forests and 
rivers Parramatta which means "head of waters", "the place where the eels lie down.” By 
the late 1790s, the area was claimed by more than 400 British settlers who put up barriers 
that cut off the river and the food supply of the Dharug people.

Link to Parramatta by Jeff Key: 

 https://jeffmkey.com/artwork/5180682-100 Vessels—Theories of Evolution.html

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It is estimated that there are more than 476 million indigenous people spread across 90 countries worldwide.The United Nations defines indigenous peoples as “the holders of unique languages, knowledge systems and beliefs. They have a special relation to and use of their traditional land. Their ancestral land has a fundamental importance for their collective physical and cultural survival as peoples.” (Source: UN Permanent Forum on Indigenous Issues, 2021).

 

Conflicts over disputed land, natural resources and ethnic/religious ideology 

continue to rage throughout the world today— 




"Vessel #32—Beacon" 
Wood, Flax, Paper Pulp & Stone   20" x 8" x 10"  

Treaties, covenants, accusations, appeals, logic, irony, seduction, anthems, epithets, sermons, elegies, declaration, defamation, deification—written on parchment—etched in stone—signed with the wind.







Vessel #15—Tapper”  Wood,  24" x 30" x 48" 
—For Chico Mendes, (1944-1988), President of the Xapuri Rubber Tappers' Union in Brazil. Known as the "Gandhi of the Rain Forest," Mendes was assassinated by cattle ranchers angered by his efforts to stop them from exploiting indigenous land in the Amazon jungle.
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Indigenous people throughout the world have risen up physically to resist persecution— but being under constant duress has also resulted in psychological damage. 

 

Maria Yellow Horse Brave Heart, a Native American mental health professional has developed a model for the historical trauma caused by the long-term subjugation of indigenous people. Her model recognizes intergenerational, emotional and psychological damage and offers methods use to heal including confronting the trauma, embracing history, and moving from “victim” to “survivor.” 

 

As we head into Thanksgiving and the Holiday season I conclude with an Aboriginal proverb that hopefully will help set the tone for a kinder, more peaceful world:

 

“We are all visitors to this time—this place. We are just passing through. Our purpose here is to observe, to learn, to grow, to love... and then we return home.”


  ______________________________________________________________


Jeff Key—New Revised Website:
___________________________________________________________________________

To see more of Jeff Key's artwork:

Sculpturesite Gallery: https://sculpturesite.com/artist/356-jeff-key
Instagram:  https://www.instagram.com/jeffmkey/


September 08, 2023

Darwin Revisited—Xenobots to the Rescue

 

My recent blog posts on Genetic Engineering and Artificial Intelligence raised concerns about how we are altering the course of human evolution.

Scientific investigation and innovation are constantly adding to the calculus of the evolutionary questions: “Where did we come from?” and “Where we are we heading?”

In order to answer these questions we can now add the terms “Coacervate Droplet,” “Mammalian Parthenogenesis” and “Xenobots” to our lexicon.



                       "Vessel #95—Reconcile"   Wood & Flax, 20" x 8" 10"




                     "Vessel #5—Crosscurrent"   Wood & Flax,  24" x 4" x 18"




Like all new AI and genetic engineering advancements the ethical implications of these techniques will have to be weighed and regulated. 

As Charles Darwin said, “A moral being is one who is capable of reflecting on their past actions and their motives—of approving of some and disapproving of others.” 
  ______________________________________________________________


Jeff Key—New Revised Website:

____________________________________________________________________________

To see more of Jeff Key's artwork:
Sculpturesite Gallery: https://sculpturesite.com/artist/356-jeff-key
Instagram:  https://www.instagram.com/jeffmkey/